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問了一個(gè)哲學(xué)問題：結(jié)果主義——為了保護(hù)群體利益可以犧牲少數(shù)無辜，還是絕對(duì)主義——即使群體利益受威脅也不能犧牲少數(shù)無辜？

好溫柔啊，簡(jiǎn)簡(jiǎn)單單的備孕小題材，拍的有滋有味。散場(chǎng)的時(shí)候主創(chuàng)來到現(xiàn)場(chǎng)，還有從成都趕到北京來的粉絲，提問的時(shí)候聲音發(fā)顫，手里一直舉著小海報(bào)，表達(dá)了對(duì)松重豐的支持，大家都鼓掌鼓勵(lì)他，可真可愛啊。

看的時(shí)候就覺得陳曉這樣的男人就應(yīng)該和趙麗穎這樣的女人是一對(duì)的，不知道這么想是否膚淺了一點(diǎn)。雖然歷史在這部劇當(dāng)中被篡改的徹底，但看見陸貞從一個(gè)宮女做到女相的過程，看見經(jīng)歷那么多后他們之間如初的愛，就覺得一切都足了。

及格的爆米花動(dòng)作電影，意外殺手開啟了通關(guān)模式，導(dǎo)演想學(xué)《死侍》那種話癆?暴力血漿那種風(fēng)格，但學(xué)的不倫不類。演員質(zhì)量也不行。

3.5 Somebody please restore this. It's a poetry film that combines real life documentary of filmmaker's hometown after the independence, with scene reconstructions of: women's recollection of the war and their roles (feeding the guerillas etc), folktales, imagery metaphor or pure stream of consciousness sequences. It's the first Lebanese film directed by a woman and it's already a daring experimental work showcasing the magic of cinema in not only preserving, but recreating memories.